Monday, May 6, 2024

Beginnings: Comic Strips, Part 7 Krazy Kat

Krazy Kat

Krazy Kat is an American newspaper comic strip, by cartoonist George Herriman, which ran from 1913 to 1944. It first appeared in the New York Evening Journal, whose owner, William Randolph Hearst, was a major booster for the strip throughout its run. The characters had been introduced previously in a side strip with Herriman’s earlier 1910 creation, The Dingbat Family. The phrase “Krazy Kat” originated there, said by the mouse by way of describing the cat. Set in a dreamlike portrayal of Herriman’s vacation home of Coconino County, Arizona, Krazy Kat’s mixture of offbeat surrealism, innocent playfulness and poetic, idiosyncratic language has made it a favorite of comics aficionados and art critics for more than 80 years.

The strip focused on the curious relationship between a guileless, carefree, simple-minded cat named Krazy and a short-tempered mouse named Ignatz. Krazy nursed an unrequited love for the mouse. However, Ignatz despised Krazy and constantly schemed to throw bricks at Krazy’s head, which Krazy interpreted as a sign of affection, uttering grateful replies such as “Li’l dollink, allus f’etful”, or “Li’l ainjil”. A third principal character, Officer Bull Pupp, often appeared and tried to “protect” Krazy by thwarting Ignatz’ attempts and imprisoning him. Later on, Officer Pupp fell in love with Krazy.

Simple-minded, curious, mindlessly happy and perpetually innocent, the strip’s title character drifts through life in Coconino County without a care. Krazy’s dialogue is a highly stylized argot (“A fowl konspirissy – is it pussible?”) phonetically evoking a mixture of English, French, Spanish, Yiddish and other dialects, often identified as George Herriman’s own native New Orleans dialect, Yat. Often singing and dancing to express the Kat’s eternal joy, Krazy is hopelessly in love with Ignatz and thinks that the mouse’s brick-tossing is his way of returning that love. Krazy is also completely unaware of the bitter rivalry between Ignatz and “Offissa” Pupp and mistakes the dog’s frequent imprisonment of the mouse for an innocent game of tag (“Ever times I see them two playing games togedda, Ignatz seems to be It”). On those occasions when Ignatz is caught before he can launch his brick, Krazy is left pining for the “l’il ainjil” and wonders where the beloved mouse has gone.

Krazy’s own gender is never made clear and appears to be fluid, varying from strip to strip. Most authors post-Herriman (beginning with Cummings) have mistakenly referred to Krazy only as female, but Krazy’s creator was more ambiguous and even published several strips poking fun at this uncertainty. When filmmaker Frank Capra, a fan of the strip, asked Herriman to straightforwardly define the character’s sex, the cartoonist admitted that Krazy was “something like a sprite, an elf. They have no sex. So that Kat can’t be a he or a she. The Kat’s a spirit—a pixie—free to butt into anything.” Most characters inside the strip use “he” and “him” to refer to Krazy, likely as a gender-neutral “he.”

Ignatz, on the other hand, is driven to distraction by Krazy Kat’s naïveté, and generally reacts by throwing bricks at Krazy’s head. To shield his plans from Officer Pupp, Ignatz hides his bricks, disguises himself, or enlists the aid of willing Coconino County denizens (without making his intentions clear). Easing Ignatz’s task is Krazy Kat’s willingness to meet him anywhere at any appointed time, eager to receive a token of affection in the form of a brick to the head. Ignatz is married with three children, though they are rarely seen.

Ironically, although Ignatz seems to generally have contempt for Krazy, one strip shows his ancestor, Mark Antony Mouse, fall in love with Krazy’s ancestor, an Egyptian cat princess (calling her his “Star of the Nile”), and pay a sculptor to carve a brick with a love message. When he throws it at her, he is arrested, but she announces her love for him, and from that day on, he throws bricks at her to show his love for her (which would explain why Krazy believes that Ignatz throwing bricks is a sign of love). In another strip, Krazy kisses a sleeping Ignatz, and hearts appear above the mouse’s head.

In the last five (or so) years of the strip, Ignatz’s feelings of animosity for Krazy were noticeably downplayed. While earlier, one got the sense of his taking advantage of Krazy’s willingness to be “bricked”, now one gets the sense of Ignatz and Krazy as chummy co-conspirators against Pupp, with Ignatz at times quite aware of the positive way Krazy interprets his missiles.

Officer Bull Pupp, who loves Krazy, and always tries (sometimes successfully) to thwart Ignatz’s desires to pelt Krazy Kat with bricks. Officer Pupp and Ignatz often try to get the better of each other even when Krazy is not directly involved, as they both enjoy seeing the other played for a fool. He appears slightly less frequently than Krazy and Ignatz.

No comments:

Post a Comment